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Louw Hoffman terwyl hy ‘n reuse salamirol van ‘n rak afhaal in ‘n koelkamer van die Departement Veekundige Wetenskappe.
The highly reflective polished sides read as discrete planes that capture the eye and consequently elude the three dimensional form.
Acting as a vessel of sorts, they have the potential, like us, to hold unique and intimate details inside themselves.
The bright and shining visual aspects of the cubes, the smoke, and the text-based parabolas all attract, like a beautiful magnet, pulling us closer to the works by sheer force.
However, it is the complex additional dimensions in his work that help viewers to see not only themselves more clearly, but to consider the world from another point of view, in turn adding introspection and engagement within the existence of the work as well.
With many corporate clients and being a part of massive national collections, Krawczyk finds the most joy in making art that lives in a fascinating environment, inside or outside, as long as it gets to interact with its surroundings in an interesting way.Intrigued with the reflections and the notion that he could transform appearances to the viewer, to add another dimension, his process highlights the actual form being an important feature, but the underlying significance in the experience of engaging with the physical works allow for the environment to converse with his creations all on their own.